most amazing photoshop effect : transporm person into an alien

In this tutorial is written how to create a very cool looking alien using Adobe Photoshop. Grab a picture of someone and get ready to alienize it!

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1. Go to File > New (Ctrl+N) to create a new file. Make sure that you have your background settings to Transparent. Now search for a portrait on your PC to use and add it to your newly created file. For this tutorial I used a picture of Tom Cruise to alienize (Source file ). Ofcourse you can use a picture of your friend, a family member or even yourself.
   
   
2. Grab the Eraser Tool (E) and erase the eyes. Now use the Clone Stamp Tool (S) to clone parts of the cheeks over the nose. It'll look like the nose is erased. Use the Healing Stamp Tool to fix any not natural looking parts on the place where the nose first was.
   
   
3. Go to Filter > Liquify Tool (Shift+Ctrl+X) and a new window will show. Use the Forward Warp Tool (W) in this window to strech out the empty place where the eyes first were. I used a brush with a size of approxamitely 30 pixels. Strech it untill it has the shape of an alien eye. Press OK to accept the changes.
   
   
4. I used some alien eyes that I created before (Source file ) and pasted them in the layer behind the face. Scale the eye using Transform (Ctrl+T) untill it's at a right size. Use the Burn Tool (O) to make the areas around the eyes a little bit darked so it will look more realistic.
   
   
5. Open up the liquify tool by going to Filter > Liquify Tool (Shift+Ctrl+X). Again, use the Forward Warp Tool (W) and strech out the ears. This time I used a brush with a size of 90. Press OK to save the changes and if you want, use the Burn Tool (O) to darken parts of the ears.
   
   
6. Get ready to change some colours using Color Balance (Ctrl+B). Play around with the Color Balance and Tone Balance untill you think you have something alien-like. I used these settings:
   
   1. Shadows: 0,20,0
   2. Midtones: 0,20,0
   3. Highlights: 0,40,0
   
   
   
7. Grunge your face. You can use several options for this, for example you could use a grunge brush. Here I used a pattern that I had on my PC (Source file ). On a new layer, cover the face with the whole grunge pattern using Transform (Ctrl+T) or copy-pasting the pattern next to eachother (See left image below). Set the Blending Mode of the grunge layer to Color Burn and the Opacity around 25%.
   
   
8. Use the Rectangular Marquee Tool (M) and select the forehead of the face (See left image below). Duplicate layer part (Ctrl+J) and grab the Free Transform Tool (Ctrl+T). Strech the forehead by selecting the middle square and drag it upward. Merge layers (Ctrl+E) (See middle image below).
   Draw facial lines on a new layer using the Brush Tool (B). These lines can be used for detail. Select the lines on the layer and go to Blending Options. In this new window, go to Bevel and Emboss. Use the standard settings but change: Style: Pillow Emboss. I used these values:
   1. Depth: 51%
   2. Size: 1px
   3. Soften: 1px
   When satisfied, press OK to save the settings. Grab your Burn Tool (O) and burn the lines so that it'll look more realistic (See right image below).
   
   
9. Create a new layer (Ctrl+Shift+N). Draw some veins around the eyes using the Brush Tools (B). I used a brush size of 2 pixels (See left image below). Select the content of the veins layer by Ctrl+Click on the image of the layer. Now you should have the veins selected. Select the layer of the face by clicking on it. Now duplicate the selection of the veins (Ctrl+J). You should get a new layer on top of the layer of the face. Delete the layer with the veins that you drew. Now go back to the layer with the outer lines of the veins. Give them color by opening the Color Balance (Ctrl+B). Play around untill you're satisfied with the colors. Give the layer Soft light or Hard Light to give it more effect. Merge all layers back together (Ctrl+E). Open up Color Balance (Ctrl+B) again and play with the full colors of the image (See right image below).
   
   
10. Repeat the previous step, but now create some veins on the head (See left image below).
    
    
11. Adjust the levels of the image by opening the Levels panel (Ctrl+L). Change the levels of the image untill you have a nice, realistic looking face.
    
    

And there you have it, your own created alien. This is my final result. Be creative and feel free to post your final result in the comments.
Some people in the comments reported that this tutorial is a copy of one that is posted on worth1000. I checked out the tutorial and I have to admit: It does look-a-like, but it's not a copy. Furthermore, the tutorial on Worth1000 is way much harder and more for professional than this one.

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most amazing photoshop effect : aahhhh oy! alien

Time again to talk about aliens! No, not the illegal kind. The green kind! What better way to kickoff the summer spirit than with explosions, death rays, and a little stormy weather - thanks to our friend, Photoshop.

Speaking of stormy weather - recently, in my hometown of Manchester, NH (Southside REPRESENT) , we experienced some major floodwaters. It was nuts - Hectic farm animals everywhere...I must have seen at least 45 cows engaged in what appeared to be a strange game of Twister in a nearby Swamp field. Anyway, being the moron that I am, I defied all weathermen state-wide (damn yooz!) and took a journey down to a nearby troubled river and snapped some crAzy pics.

Oh. Here's one now:




So, I was looking at this photo of horrendous flooding and I though, Hey - let's make it even more horrendous!! SWEET!

OK, here we go! Now is a great time to grab a few beers and set your Victoria's Secret catalog aside. Don't forget the page you were on as it may or may not come into play later. Most likely not. OK...download that low-quality image above and lets get to work!!

To start off, I selected the top half of the sky and copy/pasted it onto a new layer. After that, I adjusted the Shadows/Highlights to darken up the mood a bit. After that, I used my buddy "google" (Seriously - TRY these guys. They're gonna be huge.) and did an image search for stormy clouds. I actually have a bunch of my own in a personal arsenal, but for the means of this tutorial, we'll use all fully accessible items. I then pasted the stormy clouds over the top of my scene, adjusted the values to a more purple tone and blended in the bottom half.

End result went something like this:




Next up, add more clouds! I went a little darker on the lower set of clouds. When all was set in place, I made a new layer (COLOR layer mode) and painted red everywhere I wanted it.

A-Whabbap!




And here comes the fun part! Using everyday items, we're going to create our spaceship in the clouds! Mine was actually made from the front of a corvette (top) and the bottom part was made from a canon camera lens! We'll call that the beam-emitter. Because damn, all aliens have huge beams.

After the ship placement, I added some moody borders to the photo using multiply/overlay layers and brushed in a bit more red.

-(Meep.)




Spaceship is in, now lets add a little light underneath the edge of it. Next, add a little dark shadowing around it with your linear burn layer mode. Use red. Also, I adjusted the shadow/highlights on the ship to give it a darker tone, and burned some of the ships edges for depth.

Something like:




Next up - A little mood lighting! I used a photo of the Capitol Building and completely darkened out any of the negative shading values (see below). I then overlayed the lights onto the ships base (using linear dodge), and added a little extra to the top where the top meets the clouds.

Shooting for:




Hey now! Let's add some BEAMS. take your brush tool and hold SHIFT to make a straight vertical line. Use a very light pink. Now, set the layer mode to linear dodge. You can see the outcome below. Lastly, copy the darkened clouds from the horizon line and add them around the entry point of the spaceship and the sky. This will give some MOOD.

Yeah, mood:




Same technique, but this time use a darker red and overlay it on the other, thinner beam.

Larger beam, please:




OK, it's time to get this thing rolling. We need a darker, more stormy atmosphere. This spaceship needs to be mean, so lets darken the sky, add some contrast to the clouds and darken the water by adding purple softlight and red overlay to the water base.

Ahhhh, getting there:




Darker! apply a multiply layer of the clouds over itself to give that sky some strength over the ship. burn underneath the ship as well so the cloud consistency carries through the horizon. Also, start applying more light rays from underneath the ship using the overlay layer mode. I used yellow to keep it fairly subtle.

Ahhhh:




OK you may have noticed in the last photo I started adding an "electric" look to the BEAM OF DEATH™. This can be done through tiny lines treaks (done in orange or yellow) overlaying the thicker light coming from the base of the ship. I added some more lightning to the sides of the ship as well....

-(Pobles.)




A little more lightning, and some rings outside the ship. this was done using the brush tool and applying the layer mode as "linear dodge" over the other clouds.

Womp!




Add a little more light/shadow toning in the clouds. Next, again using linear dodge and a darker orange, overlay a large brush to the bottom of the beam to add some glow to the tree region. I added another thinner and stronger layer at the tree/beam meeting point to create an explosion effect.

FYAH!!!




Now let's bring in another cloud photo. Adjust the Variations on the clouds to bring in the red tone we want. Next, adjust the levels to emphasize the shadows (bring in the left triangle towards the center). Set the layer mode to Hard light.

Like this:




Almost done! Add a bit more ligtning to the sky and add more shadow burning to the water a edges of the photo. Shoot for this:

Like this:




All done! Nice work, Chief. Post your spaceship photos below or email them to me!

Like this:




Ok that's it! Until next time....

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most amazing photoshop effect : Age Progression

Step 1: Choosing an Appropriate Photo
When deciding to age-progress a celebrity’s face, I try to select a picture that is touched-up as little as possible.



I find that candid shots, or any shots that have not been taken in a studio, work best because the resulting harsh lighting reveals more of the skin’s details i.e. slight bags under the eyes and faint wrinkles. The appearance of such details makes it all that much easier to visualize how your subject will age. Visualizing what the end result will look like brings you one step closer to aging her face realistically.



In Katie’s case, we can see very faint horizontal lines on her forehead, fairly obvious lines under her eyes and lines bracketing her mouth.
Step 2: Collecting Reference Material
Reference material is key in my method of aging. Keeping Katie’s face in mind, I scoured the Web, looking for faces of old women who either resemble Katie and/or share the same facial expression. Here, Katie is smiling with her face positioned at a 3/4 angle so I tried to gather as many pictures of old women who are smiling in the same manner or close to that. I then opened up the picture of Katie in Photoshop and pasted the found images around her face on a separate layer, spread out to provide easy visual access.



Another kind of reference I like to use but is usually hard to find, is pictures of the subject’s parents. I managed to find a couple of reference pictures of Katie’s mother online and they really helped me to decide whether or not to give Katie a double chin. Since her mom has quite a bit of mass under her chin, I decided I would apply that to Katie too.
Step 3: Thinning Brows
Now the fun begins! The first thing I like to do is to thin out the subject’s eyebrows and eyelashes. The older people get, the thinner their hair gets - either because hair falls out and/or because it dries out as it greys.



So to achieve this, I like to use the Clone Stamp tool at 100% with a relatively small brush size depending on the size and resolution of the image. I sampled the surrounding skin to thin and reduce the number of hairs.
Step 4: Mold the Face
Next, I like to add the basic sags to the skin. I do this in the Liquify mode. I tried to create sagging effects to the cheeks, jowls and the cliff just above the eyes by using the Push tool. For the eyes, I tried to be subtle; otherwise she may end up looking somewhat ghoulish.



From what I’ve learned about the aging process, I know that while bones cease to grow, and in fact shrink, cartilage does continue to grow. As a result, the end of a nose may appear larger as a person grows older. So while I was still in the Liquify mode, I used the Push tool to extend the length of the nose slightly. Then I used the Bloat tool to also enlarge it slightly, being careful not lose the essential quality or character of the nose. Go too far and it may not look like Katie anymore.

Step 5: The Aforementioned Double Chin


Based on her mother’s pictures, I then added a fairly massive double chin. I initially used the Airbrush tool with some fairly broad strokes, sampling the colors that were already in the area of her neck. I then worked in the details with a finer brush size. Also, keep in mind that I was also using the other reference photos of older women to guide me.
Step 6: Wrinkle Up the Eyes
For me, the most important parts to get right are the eyes. They can make or break the project. Done wrong and the picture may no longer be identifiable as one of Katie Holmes anymore. I sought out the fine lines around the eyes and I tried to imagine how they would progress into wrinkles. I then extended them in length and width accordingly. Referencing the pictures of old women helped a lot with this step.



I used a combination of the Stamp tool and Brush tool. I wish I could explain my technique at this point in a more clinical manner but mostly I relied on my artistic instincts. I emphasized the wrinkles around the eyes by widening and deepening the lines slightly and increasing the contrast by darkening the recesses and lightening the edges. Also, I extended wrinkles to the cheekbone areas. I then applied the same technique to the wrinkles around the mouth and to the forehead.
Step 6: Reducing the Lips
In this step, I work on the lips. As people grow older, the outline of the lips tends to recede. Using the Stamp tool, I sampled the skin surrounding the lips and thinned them out.



While I was at it, I also added a few vertical wrinkles above the lips to give her a bit of a "prune" effect. We just want a hint of that, so don’t carve out deep lines; deep lines would only be necessary if she was puckering her lips.
Step 7: Planning Out More Wrinkles


Here, on a separate layer, I faintly outlined or sketched, with a relatively thin brush size, areas that I may or may not add more lines and wrinkles to. It’s easy to get carried away with the addition of wrinkles. So, I stopped, took a step back and assessed where to take to image. For me, it's essential and a great test to see what best works.
Step 8: Touching Up the Wrinkles
Based on the previous step, I added wrinkles where I thought they were needed most.



Overall, I found that the wrinkles and lines seemed a little flat in comparison to the rest of Katie’s features. They needed more definition so that they could pop out more. So, I highlighted the raised edges of the individual lines with the Brush tool and with a lighter skin tone.
Step 9: Hairy Lips
Facial hair becomes an issue with most women as they age. For some strange reason they lose it in the brow area and grow it back around the mouth area. I didn’t want Katie to be the exception so with a very fine brush size and the Brush tool, I added hairs to her upper lip.



I tried to make it as subtle as possible. Hairs too thick or dark would draw the viewer’s attention straight to her mustache and I didn’t want that. I also added more wrinkles to the area below the corners of her mouth.
Step 10: Refining the Neck


I decided that the neck was too smooth for a woman of 75 years of age. So I added finer wrinkles to that area. Also, I added more mass and weight to her jowls with the airbrush by increasing the value of the tones in those areas thus creating more contrast between surface planes.
Step 11: Adding Age Spots
A key component to effective aging of a face is the addition of age spots.



So at this point, I sampled one of the darker skin tones on her face, and on a separate layer that was set to Multiply and 30% opacity, I brushed them in and tried to create irregular shapes (there IS no perfect age spot). You can add as many as you like; the amount varies from person to person. I decided to be conservative with Katie.
Step 12: More Refinements
I took a little break from it and came back to it later to possibly get a better perspective on it. When I looked at it, at this point, I decided that certain areas needed refining and added detail. This is the beauty of working with a high-resolution file; I can zoom in real close and deal with a wrinkle up-close and personal.



Unless their teeth were subjected to regular whitening, most people’s teeth yellow with age. Gums also recede, showing less gum and more bone. And so with that in mind, I sampled a yellowish-brown color and on a new layer that was set to Multiply and 30% opacity and painted that color to the teeth with the Brush tool. Her gums didn’t show to begin with, so receding the gums here wasn’t necessary.
Step 13: Preparing the Hair


The finishing touch here is greying the hair. I began by creating a mask defining the area of the hair. I used the brush for this and tried my best to define as many loose strands of hair that I could.



With this mask as a selection, I then created a Hue/Saturation adjustment layer and reduced the saturation to –63.



I then created a new adjustment layer based on the same mask and adjusted the Brightness/Contrast to brightness +9 and contrast –36. As a result, I found that the darker areas were too pale and caused a loss of depth and so to adjust that, I then selected the mask and scratched out the darker areas with a 5px brush size at 50% opacity so that they could show through from the original image.
Step 14: Hair Raising
The next step was to raise the hairline and thin out the hair. Hair loss is common with both sexes.



I sampled the area at the top of the forehead and extended the skin area above the original hairline.
Step 15: Greying the Hair
A lot of details of the hair were lost in the previous step so with a thin brush size at 80 percent opacity I drew in fine grey hairs, sparsely laid out.



Patiently, slowly, stroke by stroke I added more and more hairs until I was happy with the amount of grey I had added.
Step 16: Finishing Touches
Finally, I took a step back, refined a few wrinkles here and there ET VOILA!



I hope this tutorial was insightful. It may not be the most technically detailed tutorial but it gives you a good idea of the process I go through to get the job done. Hopefully, it will help you create your own trophy-winning images for future Fountain of Age contests!

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